March 21 - 23, 2007
with pre-Conference Institutes - March 20, 2007
in Austin, Texas
Re-Thinking Education: Can We
Produce The "Global" Creative Student?
Panel Chair: Dr. Kirpal Singh
Singapore Management University
90 Stamford Road
Singapore 178903
(65) 6828-0207 Office
(65) 6828-0833 Fax
kirpals@smu.edu.sg
Dr. Kirpal Singh for many years started and
facilitated the Creative Thinking Program at the newly established
Singapore Management University where this is a "core" subject to
be taken by every student regardless of discipline pursued. His
own thinking on the subject of Creativity was robustly presented
in Thinking Hats & Coloured Turbans: Creativity Across Cultures
(Prentice-Hall, 2004), a book which sold out within months of its appearance.
Though hailing essentially from a literary background (Dr. Singh
is an internationally recognsied writer and in 1997 was Distinguished
International Writer at the world-famous Iowa International Writing
Program), Kirpal has more recently come to be recognised as an international
creativity "guru" -- his ideas being the focus of discussion and debate by
several thinkers in the field. He is now constantly sought after by
universities, government bodies, and large (and small) corporate
organisations to conduct Creativity workshops -- especially in terms of
Creativity in Leadership -- and he has been a trainer/consultant for such
big names as Loreal, IBM, Rosche, & Stan-Chart Bank. Kirpal has been a
Board member of ACA since 2005.
Re-Thinking Education: Can We
Produce The "Global" Creative Student?
One major concern about Creativity -- both the teaching of it as well as the
practice of it -- is its diversity of meaning and significance in different
cultural contexts. In many cultures, Creativity is seen as being
"disruptive" and hence de-stablising and therefore unworthy of real
support, especially by educational organisations and government. In other
cultures, the opposite seems to be true. As the economies of the world
become truly "globalised" it becomes incumbent upon us to revisit the
CULTURAL context of Creativity vis-a-vis its educational value. All of us
involved in education know just how beneficial a course on Creativity can
be for our students, no matter what discipline/subject they may want to
pursue or specialise in. This Panel will provide 4 interesting
perspectives on this topic and we hope that through the Q & A which
follows we will all be able to take away some real and engaging ways of
promoting Creativity in our own organisations.